Akulturasi Budaya Dalam Musik Keroncong di Indonesia

Wisnu Mintargo(1*),

(1) ISI Surakarta
(*) Corresponding Author




DOI: https://doi.org/10.26858/njad.v1i1.4750

Abstract


Keroncong music there is telling original music of Indonesia, there is also mention Portguese music, and other opinion tell result of integration betwen culture of Portuguese with Indonesia culture. Needn’t again opposes to betwen west and east culture because that chang process happened some last century.Keroncong music have dynamics in its growth is started to come people of Portuguese, colonist of Colonialism Dutch, occupying of wartime Japan army until independence of Indonesia have experienced of change from time to time. Transformation of keroncong music in its growth one of them in natural process and also influenced by situation and condition and policy of power of that moment, start from subsidy, facilities and basic facilities which supporting until taking place keroncong music. Throug method of Brosnilaw malinowski writer try to depict change of keroncong music.

Full Text:

PDF

References


Harmuna. (1978). Musik Keroncong: Sejarah, Gaya dan Perkembangan. (Yogyakarta: Pusat Musik Liturgi)

Manusama, A.Th. (1919).Keroncong Als Muziek Instrument, Als en als gezang. (Batavia: Boekhandel G. Kolf & Co)

Sumaryo.L.E.(1981).”Pembaruan antara Musik Timur dan Barat”, dalamAnalisis Kebudayaan Tahun 1. No. 2. 1980/1981. (Jakarta: Depdikbud,),

Victor Ganap.(2008).”Sumbangsih Ilmu Pengetahuan Musik Dalam Pembentukan Jati diri Bangsa. Pidato Pengukuhan sebagai Guru Besar oada Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta, 19 Januari 2008,

Budiman BJ. (1979).Mengenal Keroncong Lebih Dekat. (Jakarta: Penerbit PT. Elex Media Komputindo),

Malinowski. B.(1945).The Dynamics of Culture Change: An Inquiry into Race Relation in Africa. (New Haven: Yale University Press),

Koentjaraningrat. (1964).Tokoh-tokoh Antropologi. (Jakarta: Penerbitan Universitas,)

Broom, L,. B.J. Siegel, EZ, Vogt, J.B. Watson., dalam “Acculturation: An Exploratory Formulation”. American Anthropologyst LVI. 1954,

Curtsach. (1943).The Rise of Music in The Ancient World East and west. (New York: Norton Company,)

Edi Susilo.(1993) “Asimilasi Tangganada Musik Barat Diatonis dengan Tangganada Musik Karawitan/Tradisional, disajikan dalam rangka ceramah Jurusan Musik Fakultas Seni Pertunjukan ISI Yogyakarta,,

Kodiran. Teori Kebudayaan. (Yogyakarta: Program Pasca Sarjana UGM, 1993),

Kusbini.(1970). Sejarah Kehidupan Perkembangan dan Asal-usul Seni Musik Keroncong Indonesia. (Yogyakarta: SOSI,),

Marwati Dioened Poesponegoro dan Nugroho Noto Sutanto (1984). Sejarah Nasional VI. (Jakarta:DEPDIKBUD,),

Wisnu Mintargo. (2001).“Fungsi Lagu Perjuangan dalam Konteks Kemerdekaan Tahun 1945-1949”. (Tesis Universitas Gadjah Mada),

Wisnu Mintargo(2003).. “Lagu Propaganda Dalam Revolusi Indonesia, dalam Jurnal Humaniora Volume XV, No. 1. Fakultas Ilmu Budaya UGM Yogyakarta,

Wisnu Mintargo (2003). “Perjalanan Sejarah Lagu-lagu Perjuangan Indonesia dalam Konteks Persatuan Bangsa”, dalam Jurnal Seni Pengetahuan dan Penciptaan Seni. Volume IX. No. 04-Juli 2003. ISI Yogyakarta,

Soeharto, AH,dkk.(1995).Serba-serbi Keroncong. (Jakarta: T.P)


Article Metrics

Abstract view : 2469 times | PDF view : 208 times

Refbacks

  • There are currently no refbacks.


Dipublikasikan oleh:

Program Studi Pendidikan Seni Rupa PPs Universitas Negeri Makassar.

Alamat Jl. Bonto Langkasa Gunung Sari Makassar, 90222

Kampus PPs UNM Makassar, Indonesia. Email: ijad@unm.ac.id

Creative Commons License
Nuansa Journal of Arts and Design is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

NJAD indexed by