Bentuk Gerak Pajaga Bone Balla Anaddara Sulessana di Kedatuan Luwu
(1) Universitas Negeri Makassar
(2) Universitas Negeri Makassar
(*) Corresponding Author
Abstract
Abstract. Pajaga Bone Balla Anaddara (PBBA) research is a tracking to uncover the concept of Pajaga Bone Balla Anaddara as an art form (art of movement/dance), using an ethnochoreological approach in dissecting PBBA textually and contextually, which is supported by several theories and written descriptively qualitatively Form theory is used to reveal integrated elements into a unified whole as a form of PBBA dance performance. The results of the study show that PBBAS has a form of movement that is inseparable from the rules in the Kedatuan Luwu palace which are summarized in the variety of movements, descriptions of movements and floor patterns of PPBA Sulessana
Keywords: Art, Dance, Shape, Movement, Pajaga
Full Text:
PDFReferences
Ahimsa¬-Putra, Heddy Shri , 2008. “Etnosains untuk Etnokoreologi Nusantara (Antropologi dan Khasanah Tari)”. dalam R. M. Pramutomo ed., Etnokoreologi Nusantara (Batasan, Kajian, Sistematika, dan Aplikasi Keilmuannya). Surakarta: Penerbit ISI Press.
---------2000.“Wacana Seni dalam Antropologi Budaya: Tekstual, Kontekstual, dan Post Modernitis”dalam Heddy Shri Ahimsa Putra ed., Ketika Orang Jawa Nyeni. Yogyakarta: Galang Press.
Brandon, James R, 1967. Theatre in Southeast Asia. Harvard University Press: Cambridge, Massachussets.
Danandjaya, James, 2002. Folklor Indonesia: Ilmu Gosip, Dongeng, dan lain-lain cet. VI, Jakarta: Pustaka Utama Grafiti.
Hadi, Y Sumandiyo, 2007. Kajian Tari Teks dan Konteks. Yogyakarta: Pustaka Book Publisher.
Holt, Clair, 1939. Dance Quest in Celebes, Les Archieves International De la Dansa. Paris.
Idwar, Anwar, 2007. Ensiklopedi Kebudayaan Luwu. Palopo: Komunitas Sawerigading/Kampus.
Lathief, Halilintar, 1999/2000. Tari Daerah Bugis (Tinjauan Melalui Bentuk dan Fungsi). Jakarta: Proyek Pengembangan Media Kebudayaan Direktorat Jenderal Kebudayaan Departemen Pendidikan Nasional Jakarta.
Mallondjo, Siodja Dg, 2004. Catatan Tentang Sawerigading, Sistem Pemerintahan, dan Masuknya Islam. Palopo: Komunitas Kampung Sawerigading.
Marinis, Marco de, 1993. The Semiotics of Performance, terj. Aine O’ Healy. Bloominton and Indianapolis: Indiana University Press.
Morris, Desmond, Manwatching: 1977. A field Guide to Human Behavior. New York: Harry N. Abrams, Inc.
Nurwahidah, 2004. Hj. Andi Siti Nurhani Sapada: Dari Sangkar Saoraja Menuju Pentas Dunia. Yogyakarta: Bio Pustaka.
---------”Bentuk Penyajian Tari Pajaga Makkunrai Wajo”, Laporan Penelitian Dosen Muda FSD UNM-Dipa Universitas, 2008.
---------”Makna Simbolik Pajaga Makkunrai Wajo”, Laporan Penelitian Dosen Muda FSD UNM-Dipa Universitas, 2009.
Pramutomo, R. M. 2010. Tari, Seremoni, dan Politik Kolonial (II): Kajian “Pseudoabsolutisme” dan Konteks Perkembangan Tari Jawa Gaya Yogyakarta (1823-1940) dengan Pendekatan Etnokoreologi, Solo: ISI Press Solo.
Royce, Anya Peterson, 1980. Anthropology of The Dance. Bloomington and London: Indiana University Press.
--------- 2006.Anthropology of The Dance, terj. FX. Widaryanto. Bandung: Sunan Ambu Press.
Sapada, Andi Nurhani, 1980. ”Tari Pajaga: Hasil Sarasehan Kesenian”, makalah dalam Konferensi Proyek Pengembangan Kesenian Propinsi Sulawesi Selatan 29-31 Agustus.
Sklar, Deidre, 1991. “On Dance Etnography”, Dance Research Jurnal 23/1, Sprig.
Soedarsono, RM., 2001. Metodologi Penelitian Seni Pertunjukan dan Seni Rupa. Bandung: MSPI.
Sriyadi dan R. M.Pramutomo, 2020. ”Absorpsi Tari Bedhaya Bedhah Madiun Gaya Yogyakarta di Mangkunegaran Masa Pemerintahan Mangkunegara VII” , Jurnal Sejarah Citra Lekha , Vol. 5 (1) 2020:28-43. E. ISSN: 2443-0110, dan http:// ejournal. Undip. Ac. Id./index php/jscl/article/view/26657. Di akses 7 November 2020, 20.30.
Sutton, R. Anderson, Calling Back The Spirit: 2002. Music, Dance, and Cultural Politics in Lowland South Sulawesi. New York: Oxford University Press
Article Metrics
Abstract view : 85 times | PDF view : 6 timesRefbacks
- There are currently no refbacks.